Technical

The Fake Food Cookbook

BY JAY DUCKWORTH via www.stage-directions.com We are at that time of gift- giving, when we give things to people that we hope they will need and use. One ofthe gifts I received this summer and have used [Really, I did, see this month’s Answer Box] was a book thatTammy Honesty brought out to NYC on her last visit. The Fake Food Cookbook: Props You Can’t Eat for Theatre, Film, and TV created by Karestin Harrison and Tamara L. Honesty from Focal Press is a great new resource. I spoke with the authors to learn how the book came into existence. Turns out when Karestin was the props person on the musical Spitfire Grill, and as the title suggests it takes place in a small restaurant she had a lot of breakfast food to make. Despite the many challenges that fake food poses she fell in love with the...

Mic Concealment Made Easy

BY THE POINT SOURCE SOUNDING BOARD BLOG via www.stage-directions.com One of the challenges that face both designers and technicians is how to hide a microphone on an actor. In their hair or in their costume; there weren’t a lot of good solutions to this challenge, until Point Source Audio created its EMBRACE™ Earmount microphone solution. As a customizable mic’ing solution that is engineered for concealing, EMBRACE has earned praise from end-users, as well as two patents from the U.S. Patent Office. The innovative design means the patented EMBRACE’s shapeable structure can be trimmed, bent and, shaped to a custom-fit for each user allowing for microphones to be easily concealed and quickly custom-fitted for the wearer—providing a placement of the microphone in just mere seconds that is con...

Head Prop Maker Pierre Bohanna Talks ‘Fantastic Beasts: The Crimes Of Grindelwald’

via www.theknockturnal.com To celebrate the final trailer for “Fantastic Beasts: The Crimes of Grindelwald,” Warner Bros. hosted an epic fan event in New York City on Monday, September 24. After getting all of the scoop on the costumes from Colleeen Atwood, we headed to the other side of 38 Parlor Loft to The Wand Room. Here all of the key wands were on display and Head Prop Maker Pierre Bohanna gave us some insight into his work on the film: The Knockturnal: Did you work on the last film as well? Pierre Bohanna: I did, yes! Luckily, I did the last film. We also did all of the Potter films as well. The Knockturnal: So you’ve been doing this for years? Pierre Bohanna: Yes.  Somehow I’ve made a career out of it. The Knockturnal: That’s incredible. And so tell me about the vision for the part...

StrawHats: Calling all Technical Theatre Artists & Administrators!

    Calling all Technical Theatre Artists & Administrators! Post your profile and resume online free of charge and be front-and-center for employment opportunities in summer stock theaters, regional theaters, and special production companies. You’ll have access to what the theaters are doing this season, what positions are open and who to contact… if they don’t contact you first. Create a profile page and post your resume to be part of our talent database Directors, Music Directors, Musicians, Choreographers and Stage Managers (Union and non-union) are welcome Directors & Choreographers; Music Directors & Accompanists; Designers (Set, Scenic Design, Lighting, Costumes, etc.): provide links to personal websites, YouTube, Vimeo, Sound Cloud, etc. to promote your work ...

Working in Wardrobe

via www.stage-directions.com Here’s a video from the American Theatre Wing that takes a look at the work of the Wardrobe Department, specifically for the current production of My Fair Lady at Lincoln Center Theater. The costumes are created to fulfill the epic world that a play or musical inhabits. It takes lots of organization, maintenance, and often creativity to get the performers ready for each and every scene (and maybe even a quick change during a scene). They interview Patrick Bevilacqua, Assistant Costume Designer / Wardrobe Supervisor, Jessica Firorella, Internal Costume Swing, and Dean Amato, Male Principal Dresser for My Fair Lady. The costumes are vast for the company of My Fair Lady at Lincoln Center Theater. They require multiple teams with various responsibilities to m...

Save the Date! 2018/2019 Auditions & Conventions (UPDATED 11/05/18)

Mark your calendars! There are only a few months left of 2018, but there are plenty of auditions & conventions you can still attend. Don’t forget to save the date for the upcoming 2019 audition & convention season, with events happening all over the country for professionals in all disciplines of the entertainment industry! Stay up to date by bookmarking our Events Page. Active registrations can be found below. September 2018 September 1st UPTA Registration Opens September 4th URTA Application  Opens September 14th SETC Pre-Screen Application Opens October 2018 October USITT19 Registration Opens October 15th MWTA Registration Opens October 15th- SETC Professional Application Opens November 2018 November 1st New World Rigging Symposium Registration Opens November 1st Theatre B...

Registration for the 2019 New World Rigging Symposium – Opens Nov 1st

REGISTRATION OPENING NOVEMBER 1 ESTA and USITT announce the second New World Rigging Symposium, taking place March 19-20, 2019 in conjunction with the USITT Conference and Stage Expo 2019 in Louisville, KY. Building on the enormous success of this year’s inaugural symposium, the 2019 event will once again provide an opportunity for riggers and those interested in the live entertainment rigging industry to network, discuss current issues and new technologies and help shape the future of the industry. Attendees at the 2018 symposium were impressed with the knowledge and passion of the presenters and their fellow attendees, which made for an educational and inspirational event. The mix of professional riggers, engineers, health and safety professionals, venue managers, educators, and manufact...

USITT19 CONFERENCE REGISTRATION – NOW OPEN!

Registration Info More than 300 exhibitors will span across 43,000 square feet of Stage Expo floor demonstrating new products, speaking with attendees, and displaying the industry’s latest and greatest. Four days of technical theatre and live entertainment innovation under one roof makes for an technical theatre industry lover’s dream 5,000 + attendees will take part in over 200 sessions and educational opportunities providing credits, knowledge, and new tips and tricks USITT Conference We’ve been waiting for you! USITT19 is an extravaganza of technical theatre wonder. The industry’s top companies collide with attendees providing a hub for innovation, new technology, education, and networking. The Stage Expo floor delivers a show like no other while over 200 educational sessions and hands-...

A Look at the Masks and the Puppets in The Lion King

via www.stage-directions.com It was this week 21 years ago, Oct. 15, 1997 to be precise, that The Lion King played its first preview and audiences first saw the beautiful and intricate costumes, masks and puppetry so central to the narrative and to the unique experience of the production. Adam Savage and the team at Tested went backstage at The Lion King during its run in San Francisco in this video visit to the musical’s puppet shop, where puppet supervisor Michael Reilly walked them through the numerous intricate and varied puppets and masks used in the performance and showed how they’re maintained in their traveling workshop. The production and design credits for the show when it opened at the New Amsterdam Theatre were: Scenic Design by Richard Hudson Costume Design by Juli...

NOW HIRING: Westview Producitons (Updated 01.17.2019)

Westview Productions employs only the best in the industry; but what makes the organization so unique is the diversity of those within the organiztion.  The Westview team is comprised of lighting designers, production managers, graphic artists, interior designers, architects, scenic designers, electrical engineers, programmers, access control technicians and a myriad other trades.  A highly qualified staff from a diverse range of professional backgrounds is a significant part of the Westview success, and contributes greatly to the Westview Advantage. Westview is always looking for new team members.  Below are current openings within the Westview companies.  To apply, please send a resume and letter of interest to info@WestviewProductions.com. LEVEL I TECHNICIAN LEVEL II TECHNICIAN CONTROLS...

Candidate registration for the 2019 URTAs is now open!

MFA training in theatre begins with URTA! At the URTAs, you can audition and interview with our 43 member universities all in one place, on a single day. Why navigate dozens of different applications, fees, appointments, and travel when you can get it all done at the URTAs? Choose your city—New York, Chicago, or San Francisco—and register to be seen by our recruiters in either acting, design, directing, stage management, or arts leadership. Our nationally ranked member schools boast professional faculty, a commitment to the highest standards in professional, graduate training, and are peer-reviewed on a continuing basis. Most also offer various forms of financial assistance. Graduates of URTA programs are working on Broadway, in top theatres across the country, in film, television, and bey...

Register for the LiNK Grad School Auditions & Interviews! (Hosted by USITT & SETC)

Where Master’s Candidates and Recruiters Connect SETC and USITT partner each fall to bring graduate theatre degree programs together with people considering options for interviews, auditions, and information exchange. Connect with more than 50 programs across theatre disciplines including Acting, Design, Technology, and Management. Explore your options for advanced education and find your dream grad program in one convenient, affordable location. 5th Annual LiNK When: Nov. 9-11, 2018 Where:  Crowne Plaza Hotel Atlanta-Airport  |  Atlanta, GA For Candidates Register early with your resume, portfolio, and head shot for advance review by recruiters. $50 Early Registration: Aug. 1 – Sept. 12, 2018 $75 Late Registration: Sept. 13 – Oct. 24, 2018 $95 Onsite Registration: Onsite...

  • 1
  • 2
  • 5