Production

American Theatre Wing: Career Guides

Check out American Theatre Wing’s series on Careers in the Theatre. These one-on-one interviews delve deep into the different areas of the theatre and discuss what it takes to make a career out of your given discipline. These were created in partnership with the New York Public Library for the Performing Arts at Lincoln Center. VIEW GUIDES via www.americantheatrewing.org

Sesame Street Writer’s Room Fellowship – Apply today!

Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more! Learn about the 2019 fellows and speakers HERE. Applications for the 2020 Fellowship Program are NOW OPEN! Application must be submitted by January 10, 2020 5PM ES...

2020 Ohio Theatre Alliance – Design/Tech Interview Registration Now Open

All Technical Interviews will take place on Saturday, January 11, 2020. Technicians will sign up Saturday morning for interview slots with producers. Producers will determine the length of each interview. REGISTER HERE WHAT TO BRING A portfolio of your work Extra copies of your resume. Some producers who are looking to hire technicians will collect resumes for phone interviews at a later date. VIDEO PORTFOLIO While at the event, technical applicants are invited to video-record a 10-minute portfolio presentation which will be made available to registered producers who are unable to conduct interviews on Saturday. Portfolio presentations will be video recorded by OTA staffers, and will be guided by a professional technical director. Technicians should prepare to: orally review their portfoli...

StrawHat Registration Now Open: Design, Tech, Musician, Administrators, and more!

Calling all Technical Theatre Artists & Administrators! Companies are in search of every skill set from AEA stage managers to running crew, from Technical Directors to spot operators, and everything in between – pit musicians, too. So make a great summer happen – register today! Post your profile and resume online free of charge and be front-and-center for employment opportunities in summer stock theaters, regional theaters, and special production companies. You’ll have access to what the theaters are doing this season, what positions are open and who to contact… if they don’t contact you first. Create a profile page and post your resume to be part of our talent database Directors, Music Directors, Musicians, Choreographers and Stage Managers (Union and non-union) are welco...

How to Design Your School Production on a Budget

What’s the #1 most important thing when it comes to designing a show? Reading the script. Doing so will inform you exactly what you need for your design, and theoretically, budget size shouldn’t matter. However, when it comes to budget-tight productions, knowing exactly what you need will help you achieve your design in the most frugal way. In this article from Playbill.com, Broadway designers offer suggestions based on discipline, best practices, and their picks for inexpensive products. VIEW ARTICLE via www.playbill.com

How the Stunt Coordinator of ‘GLOW’ Creates a Safe Space in the Wrestling Ring

What is one of the first things that comes to mind when performing stunts, tricks, or fight choreography? Maybe how cool it’ll look? How about how fast you can do your fight choreo? The correct answer is: SAFETY! The stunt coordinator for Netflix’s “GLOW”  series knows exactly how to create a safe space, both in the ring and within the cast. View Full Article via www.backstage.com

Theatre Puget Sound – Production & Tech Personnel Registration

Do you direct, choreograph, or stage manage and want to be seen by auditors at the 2019 Unified General Auditions? Submit your resume and portfolio images to be included in the supplemental Production Personnel & Tech Resume auditor packet. Auditors at the UGAs run the gamut from large and small theatre companies to film producers, talent agents, and independent film/theatre producers and directors. They are not only meeting more than 400 actors, they are also scouting people to make it all go behind the scenes… YOU! Production Personnel & Tech Resume submission is a direct member benefit of Theatre Puget Sound. 2019 TPS membership is required to participate. UPLOAD RESUME HERE

Parting the Clouds of Callbacks and Casting

BY LAURIE RECORDS via www.castingnetworks.com The commercial casting process shouldn’t be a mystery. While every job is unique, there is an underlying structure to the process that, in theory anyway, we’ve all committed to when casting commercials. Why? Because it works! When talking to actors, there seems to be a cloud around callbacks, specifically, what happens after the callback. The stakes are higher during callbacks and what happens after, and there’s no reason you shouldn’t be as informed about this part of the process as you are about the rest. Because knowledge is power, let me shed some light on the process that ought to pierce the clouds of confusion and anxiety. Say you had a terrific callback. But what the heck happens next? For you, not all that much. Just make sure you’re cl...

How Writer-Director Robert O’Hara Decides Which Plays to Direct and Which to Hand Over

BY MERVYN ROTHSTEIN via www.playbill.com It’s a unique voice, an exciting young voice, dealing with issues around race and identity and sexuality,” Obie-winning director and playwright Robert O’Hara says. “New ideas and new thoughts. I love plays that capture the imagination, that take you on a ride and an adventure. And I think this play does.” O’Hara is talking about Jeremy O. Harris’ Slave Play, which O’Hara directs at New York Theatre Workshop. The play, about black and white in white America, was called “willfully provocative, gaudily transgressive and altogether staggering,” as well as “furiously entertaining,” by The New York Times. Robert O’Hara and Jeremy O. Harris Marielle Solan O’Hara often directs his own plays, but recently directed works by Kirsten Childs and will direc...

Observing the Calling of “COMPANY” in London

BY HOPE ROSE KELLY via www.stagemanagers.org Reaching out to the Stage Management Association of the UK (UK SMA), I inquired if they had any observation opportunities from their members. Andy Rowley (Executive Director) kindly put a call out and Sharon Hobden, who is currently the DSM for Company, sent me an invite. This production has been noted for the gender swapping of the lead character Bobby and some other roles plus the storyline has been updated thereby bringing it into the 21stcentury with a natural ease that had I not known its origins, I would have thought it was a new musical written for today. Patti LuPone stars in the role originated by Elaine Strich. With a bit of tongue in cheek (given her history of admonishing patrons about cell phone use at the theatre), the recorded cur...

StrawHats: Calling all Technical Theatre Artists & Administrators!

    Calling all Technical Theatre Artists & Administrators! Post your profile and resume online free of charge and be front-and-center for employment opportunities in summer stock theaters, regional theaters, and special production companies. You’ll have access to what the theaters are doing this season, what positions are open and who to contact… if they don’t contact you first. Create a profile page and post your resume to be part of our talent database Directors, Music Directors, Musicians, Choreographers and Stage Managers (Union and non-union) are welcome Directors & Choreographers; Music Directors & Accompanists; Designers (Set, Scenic Design, Lighting, Costumes, etc.): provide links to personal websites, YouTube, Vimeo, Sound Cloud, etc. to promote your work ...

DIRECTORS LAB NORTH

DIRECTORS LAB NORTH   Directors Lab North is a directing lab based in Toronto, Canada, geared toward professional practicing directors in all stages of their career from all across Canada and abroad. Now in its 9th year, the Lab fosters a national and international exchange between a community of emerging, mid level and established career directors that need a safe space to explore and connect with like-minded peers. Participants are exposed to foreign techniques and practices, broadening their scope and repertoire. It is a series of workshops, readings, investigations, roundtable discussions, shared sessions and master classes led by master theatre practitioners.