Production

COVID-19 Freelance Artist Resources

For more information on the following, please visit: https://covid19freelanceartistresource.wordpress.com/ This list is specifically designed to serve freelance artists, and those interested in supporting the independent artist community. This includes, but is not limited to, actors, designers, producers, technicians, stage managers, musicians, composers, choreographers, visual artists, filmmakers, craft artists, teaching artists, dancers, writers & playwrights, photographers, etc. What this list IS: an aggregated list of FREE resources, opportunities, and financial relief options available to artists of all disciplines. What this list IS NOT: a place to promote individual artist practices (we love you, but we’re not equipped for that); a place to promote fee for service work; or a pla...

2020: Year of the Stage Manager

100 years ago on February 16, 1920 Actors Equity Association carried a motion to include Stage Managers and Assistant Stage Managers in their contractual language. AEA has declared 2020 the year of the stage manager to commemorate the past one hundred years. In the spirit of recognizing stage managers, stage-directions.com will be generating monthly content. To kick things off, January’s theme is: What is Stage Management Jennifer Leigh Sears Scheier helps break down the definition of a stage manager. She notes that being a stage manager does not necessarily pertain only to theatre and Broadway, but it spans across all industries: From the arts with opera, dance to sports, including the Olympics and Super Bowl. Take a look at the article below to learn how she further breaks down the...

Apprenticeships – Asolo Repertory Theatre

Apprenticeships Apprenticeships are full-time experiences that include a stipend and housing. Applicants should have an undergraduate degree or equivalent as well as at least one past internship in the field for which they are applying or similar applicable experiences. At the completion of the program, apprentices typically leave Asolo Rep ready for at least an entry-level job. Dates vary per position but most are September through May. Apprentices must be able to provide their own reliable transportation and possess a valid drivers’ license with a clean driving record.​ Available Apprenticeships – Apply Here! KNOXVILLE STAGE MANAGEMENT APPRENTICE STAGE MANAGEMENT APPRENTICES DRAMATURGY & CASTING APPRENTICE COMPANY MANAGEMENT APPRENTICE

American Theatre Wing: Career Guides

Check out American Theatre Wing’s series on Careers in the Theatre. These one-on-one interviews delve deep into the different areas of the theatre and discuss what it takes to make a career out of your given discipline. These were created in partnership with the New York Public Library for the Performing Arts at Lincoln Center. VIEW GUIDES via www.americantheatrewing.org

Sesame Street Writer’s Room Fellowship – Apply today!

Sesame Workshop Writers’ Room is a writing fellowship from the creators of Sesame Street. And we’re looking for YOU! Fresh new writing talent from underrepresented racial backgrounds. Emerging storytellers who are selected to join the Writers’ Room will receive hands-on writing experience guided by Sesame Street veterans and other media industry leaders. Each participant will develop and write a pilot script for their own original kids concept. Past fellows have gone on to develop their own original content with Sesame Workshop, as well as write for Sesame Street and various programs at Nickelodeon, Disney, DreamWorks, and more! Learn about the 2019 fellows and speakers HERE. Applications for the 2020 Fellowship Program are NOW OPEN! Application must be submitted by January 10, 2020 5PM ES...

2020 Ohio Theatre Alliance – Design/Tech Interview Registration Now Open

All Technical Interviews will take place on Saturday, January 11, 2020. Technicians will sign up Saturday morning for interview slots with producers. Producers will determine the length of each interview. REGISTER HERE WHAT TO BRING A portfolio of your work Extra copies of your resume. Some producers who are looking to hire technicians will collect resumes for phone interviews at a later date. VIDEO PORTFOLIO While at the event, technical applicants are invited to video-record a 10-minute portfolio presentation which will be made available to registered producers who are unable to conduct interviews on Saturday. Portfolio presentations will be video recorded by OTA staffers, and will be guided by a professional technical director. Technicians should prepare to: orally review their portfoli...

StrawHat Registration Now Open: Design, Tech, Musician, Administrators, and more!

Calling all Technical Theatre Artists & Administrators! Companies are in search of every skill set from AEA stage managers to running crew, from Technical Directors to spot operators, and everything in between – pit musicians, too. So make a great summer happen – register today! Post your profile and resume online free of charge and be front-and-center for employment opportunities in summer stock theaters, regional theaters, and special production companies. You’ll have access to what the theaters are doing this season, what positions are open and who to contact… if they don’t contact you first. Create a profile page and post your resume to be part of our talent database Directors, Music Directors, Musicians, Choreographers and Stage Managers (Union and non-union) are welco...

How to Design Your School Production on a Budget

What’s the #1 most important thing when it comes to designing a show? Reading the script. Doing so will inform you exactly what you need for your design, and theoretically, budget size shouldn’t matter. However, when it comes to budget-tight productions, knowing exactly what you need will help you achieve your design in the most frugal way. In this article from Playbill.com, Broadway designers offer suggestions based on discipline, best practices, and their picks for inexpensive products. VIEW ARTICLE via www.playbill.com

How the Stunt Coordinator of ‘GLOW’ Creates a Safe Space in the Wrestling Ring

What is one of the first things that comes to mind when performing stunts, tricks, or fight choreography? Maybe how cool it’ll look? How about how fast you can do your fight choreo? The correct answer is: SAFETY! The stunt coordinator for Netflix’s “GLOW”  series knows exactly how to create a safe space, both in the ring and within the cast. View Full Article via www.backstage.com

Theatre Puget Sound – Production & Tech Personnel Registration

Do you direct, choreograph, or stage manage and want to be seen by auditors at the 2019 Unified General Auditions? Submit your resume and portfolio images to be included in the supplemental Production Personnel & Tech Resume auditor packet. Auditors at the UGAs run the gamut from large and small theatre companies to film producers, talent agents, and independent film/theatre producers and directors. They are not only meeting more than 400 actors, they are also scouting people to make it all go behind the scenes… YOU! Production Personnel & Tech Resume submission is a direct member benefit of Theatre Puget Sound. 2019 TPS membership is required to participate. UPLOAD RESUME HERE

Parting the Clouds of Callbacks and Casting

BY LAURIE RECORDS via www.castingnetworks.com The commercial casting process shouldn’t be a mystery. While every job is unique, there is an underlying structure to the process that, in theory anyway, we’ve all committed to when casting commercials. Why? Because it works! When talking to actors, there seems to be a cloud around callbacks, specifically, what happens after the callback. The stakes are higher during callbacks and what happens after, and there’s no reason you shouldn’t be as informed about this part of the process as you are about the rest. Because knowledge is power, let me shed some light on the process that ought to pierce the clouds of confusion and anxiety. Say you had a terrific callback. But what the heck happens next? For you, not all that much. Just make sure you’re cl...

How Writer-Director Robert O’Hara Decides Which Plays to Direct and Which to Hand Over

BY MERVYN ROTHSTEIN via www.playbill.com It’s a unique voice, an exciting young voice, dealing with issues around race and identity and sexuality,” Obie-winning director and playwright Robert O’Hara says. “New ideas and new thoughts. I love plays that capture the imagination, that take you on a ride and an adventure. And I think this play does.” O’Hara is talking about Jeremy O. Harris’ Slave Play, which O’Hara directs at New York Theatre Workshop. The play, about black and white in white America, was called “willfully provocative, gaudily transgressive and altogether staggering,” as well as “furiously entertaining,” by The New York Times. Robert O’Hara and Jeremy O. Harris Marielle Solan O’Hara often directs his own plays, but recently directed works by Kirsten Childs and will direc...

  • 1
  • 2
  • 8