Management

Creede Repertory – Now Hiring FULL TIME PM & Facilities Manager

Current Full-Time Openings PRODUCTION AND FACILITIES MANAGER Creede Repertory Theatre’s Production Manager has primary responsibility for the scheduling, budgeting, staffing and execution of all aspects of physical production, including scenery, lights, costumes, props, paint, sound, and stage management for all productions, on site workshops, readings and events. CRT’s Facilities Manager is responsible for the buildings and grounds of the theatre, directing the Maintenance Employee and overseeing the upkeep of equipment and vehicles. The Facilities Manager is in charge of the Facilities budget and must negotiate with outside vendors for supplies and repairs. Click HERE for a PDF of full job description

Stage Manager 101: Who We Are & Why We’re Important

via www.onstageblog.com   Cristina D’Almeida What does a Stage Manager do? It’s the hardest question I’m asked and one that people ask me almost every time I tell a person that I “SM” productions. I always struggle with where to start because there is literally so many aspects of the job. It is such a complex department of the theatre world and there is no single answer to the question. This is my approach and hopefully, I can offer some useful tips to all of you stage managers out there. For me, I usually like to start with discussing the rehearsal period for a stage manager because it is the longest period and one where you really learn the show and the working elements it takes to make the production come to life. One of the first jobs you have as a stage ma...

Employment: Actors Theatre of Louisville

WORKING AT ACTORS THEATRE OF LOUISVILLE We invite applicants for the following positions to join us in supporting our vision to build a home for inspired collaboration that helps to shape the future of the American theatre. Actors Theatre is committed to recruiting and fostering a diverse community of staff and students. Individuals from traditionally under-represented groups are encouraged to apply. AA/EOE PROPS CARPENTER ARTISAN (SEASONAL) The Props Carpenter Artisan is responsible for completing projects having to do with the construction, restoration, or modification of furniture, set dressing, and hand props built of wood, steel, or other materials. Projects involving electronics, special effects, sculpture and molding & casting are also duties of this position. Learn more about t...

2018 Tony Award Nominations

via www.playbill.com The 2018 Tony Awards Nominations were announced May 1, with Mean Girls and SpongeBob SquarePants coming out on top with 12 nods each including Best Musical. Joining the two titles in the category were The Band’s Visit (with 11 nominations) and Frozen (earning three nods). Also earning 11 nominations were the Broadway revivals of Angels in America (becoming the most-nominated play in Broadway Tony history) and Carousel, with Harry Potter and the Cursed Child and My Fair Lady trailing closely behind with ten. Five nominated performers represented the two leading shows: Mean Girls’ Taylor Louderman, Ashley Park, and Grey Henson, and SpongeBob SquarePants’ Ethan Slater and Gavin Lee. The 72nd annual Tony Awards will take place June 10 at Radio City Music Hall. Sara Bareill...

How Much Money Do Broadway Actors Make?

BY LOGAN CULWELL-BLOCK via www.playbill.com If you’ve ever wondered how much your favorite Broadway artists earn for the work they do, you’re in luck. Thanks to public standard union contracts, we know what the base salary is for Broadway performers, stage managers, and musicians. These minimum rates are only for professionals on Broadway and are calculated by the week since, unlike other vocations who report annual salaries, artists will not necessarily be employed by their Broadway show for a full year. Data for actors and stage managers comes from Actors’ Equity. These figures are valid as of October 2, 2017, and are scheduled to remain through September 29, 2018, after which most of these rates will increase slightly. Musician pay rates comes from Local 802. Their rates are valid as of...

A Word to the Wise on Resumes & Cover Letters

BY JAY DUCKWORTH via www.stage-directions.com We get so many resumes here at the Public Theater it’s sometimes hard to go through all of them. So, there are some things I look for and some things that are just standard practices. With a lot of you graduating out there or applying for internships or maybe just old codgers like me looking to revisit and update your resume so you can remember where you worked and how cool it was, here are some good rules and tips from us, (myself and Sara Swanberg, the prop shop manager for The Public Theater), the people who have to actually read your resumes and make hiring decisions.

Nice Work if You Can Get It: Being a Volunteer Usher on Broadway

BY JOANNE KAUFMAN via www.nytimes.com Greet audience members, take tickets, work the concession stands, run the elevator. Point the way to seats, restrooms, box offices and exits. These are some of the tasks of a volunteer usher at theaters across New York City. The lure: a free ticket. The competition: increasingly fierce. Richard Ponce, the house manager of the Helen Hayes Theater, said he has 250 more requests than slots he needs to fill for the 10-week run of “Lobby Hero,” which opens March 26, and has Chris Evans and Michael Cera in starring roles. “It used to be this sort of secret thing,” Mr. Ponce said of the volunteer program. “Now there are hundreds and hundreds more people who want to do it.” Comparatively rare at Broadway houses like the Hayes, volunteer ushers have long staffe...

The 2018 USITT Young Designers, Managers & Technicians Awards

via www.stage-directions.com Eleven young technical theatre artists will receive Young Designers, Managers & Technicians (YDMT) Awards at USITT’s 58th Annual Conference & Stage Expo, March 15, 2018, at the Broward County Convention Center in Fort Lauderdale, FL. The YDMT Awards bring recognition and support to early career designers, managers, and technicians, through generous funding from industry sponsors. YDMT winners receive free Conference registration to the four-day USITT Annual Conference & Stage Expo, March 14-17, plus cash prizes and an impressive addition to their resumes. Listed below are the winners. Zelma H. Weisfeld Costume Design & Technology Award Courtney Foxworthy – Indiana University The Barbara Matera Award in Costume Making, sponsored by Judy Ada...

One Week Left to Register for 2018 StrawHat Auditions

Only 1 week left to register for the 2018 StrawHat Auditions! APPLICATION DEADLINE : February 1, 2018 at NOON. Audition Dates: March 16-18, 2018 Audition Location: Pace University – New York City Registration: Complete the online form and submit your non-refundable annual registration fee (also known as your subscription), then mail your hard-copy application and supporting materials (see INSTRUCTIONS). Apply for a Song & Monologue, Monologue Only, or Dancer Who Sings audition (see AUDITION TYPES). Every submission received by the deadline date is given consideration for an appointment (see CRITERIA). Auditions: All three days of auditions are open to Musical Theatre and non-singing performers. Friday appointments are reserved for those who are available for immediate year-round ...

FREE 1 Hour Webinar: Designing in 3D for Broadway’s “DEAR EVAN HANSEN”

Want to know how to model completely in 3D for theater productions? Join Amanda Stephens, senior associate designer at David Korins Design, Inc., for a free, one-hour webinar as she walks through her workflow for the Tony award-winning musical Dear Evan Hansen. Attendees will learn best practices and tips and tricks on importing DWGs, using symbols, and moving from 2D drafting to 3D modeling. Wednesday, January 24 | 2:00 – 3:00 PM ET Learning Objectives: Discover the advantages of working in 3D over 2D and how this applied to Dear Evan Hansen. Explore how to work with 3D models to create sheet layouts that look like 2D drawings. Find out how to integrate video elements into the design via precise storyboarding. Learn how the real-time 3D model was created in Dear Evan Hansen to assis...

REGISTER NOW for the Best Practices: Inclusive and Accessible Theatre Symposium

It’s not too late to register for the Best Practices: Inclusive and Accessible Theatre Symposium! HOSTED BY: The American Alliance for Theatre & Education WHEN: February 2 – 4, 2018 WHERE: The Kentucky Center, 501 W Main St, Louisville, KY 40202 Join theatre educators, artists and scholars from near and far for this exciting gathering in downtown Louisville, KY. Hosted by the Kentucky Center for the Arts, one of the nation’s most accessible performing arts complexes, this weekend intensive will offer keynote speakers, hands-on workshops, and a sensory-friendly performance including a pre-show touch tour. Come explore one of the country’s most arts-rich communities, and leave with practical tools you can use at home: in your classroom, and your theatre! Keynote: Storyteller, Playw...

The Overlooked Characteristics of a Great Stage Manager

via www.theatreartlife.com When someone asks what makes a good stage manager, our answers are usually along the lines of organised, hard working, good humoured, tough, good with people. There are a few skills, though, that are less discussed – generosity, passion, persistence, consistency and care. All the best stage managers I have encountered have all of these. They are ‘soft skills’ – difficult to learn at university but can be fostered within oneself. Generosity The stage manager I looked up to the most when I was younger was the most generous person I knew. She was generous with her time, generous with her laugh, generous with her patience. As I found my way further into the field of stage managing, I practised generosity as a way to emulate her. After a while, I found my own groove a...

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