Lighting Design

Register for the 2019 CUE Professional Development Conference!

REGISTRATION: NOW OPEN! WHAT: 2019 CUE Professional Development Conference WHEN: July 19 – 21, 2019 WHERE: Madison, WI Join ETC and High End Systems for the fifth CUE conference hosted by ETC! This professional development conference was created for end users of all skill levels including designers, programmers, educators, and students.CUE 2019 features interactive classes on a variety of topics led by ETC employees and industry experts, including several surprise guests. On top of the opportunity to experiment with all the latest ETC gear, CUE also gives attendees the opportunity to network with industry peers and the ETC professionals behind the company’s award-winning products. In addition, ETC will host exciting events and tours of its legendary factory, giving att...

Lighting Designer Valerio Tiberi on Lighting West Side Story in Italy

via www.stage-directions.com Lighting Designer Valerio Tiberi discusses his vision of lighting West Side Story in Italy at the  Teatro del Maggio Musicale Fiorentino. READ ARTICLE via www.stage-directions.com

What Do Broadway’s Best Lighting Designers Actually Do?

BY DARRYN KING via www.forbes.com ‘King Kong,’ under the lights of lighting designer Peter MumfordJOAN MARCUS No one applauds the lighting designer. Theater audiences are regularly dazzled by the costumes and sets, stirred by a writer’s words, an actor’s sweat and tears, enthralled by a director’s coup de théâtre. They may be moved by a piece of music or moment of sound design. But it’s the nature of lighting design that few audience members consciously notice it, let alone admire it, or leave the theater with a lasting impression of it. And yet, its role is crucial. “Lighting is in many ways the last creative act of the totally collaborative process that we call theatre,” says Peter Mumford, the lighting designer behind two shows this season, “King Kong” and “The Ferryman.” Si...

Register for the LiNK Grad School Auditions & Interviews! (Hosted by USITT & SETC)

Where Master’s Candidates and Recruiters Connect SETC and USITT partner each fall to bring graduate theatre degree programs together with people considering options for interviews, auditions, and information exchange. Connect with more than 50 programs across theatre disciplines including Acting, Design, Technology, and Management. Explore your options for advanced education and find your dream grad program in one convenient, affordable location. 5th Annual LiNK When: Nov. 9-11, 2018 Where:  Crowne Plaza Hotel Atlanta-Airport  |  Atlanta, GA For Candidates Register early with your resume, portfolio, and head shot for advance review by recruiters. $50 Early Registration: Aug. 1 – Sept. 12, 2018 $75 Late Registration: Sept. 13 – Oct. 24, 2018 $95 Onsite Registration: Onsite...

They Speak Lighting

BY STUART MILLER via www.americantheatre.org The cast of The Iceman Cometh stands in a circle onstage at the Bernard B. Jacobs Theatre, hands clasped, lines from the play ricocheting from one actor to another. It’s a starry group—David Morse, Bill Irwin, Colm Meaney, and, of course, Denzel Washington—yet during this rehearsal they are left in semi-darkness. The only person fully illuminated is an 80-year-old man, standing alone, unmoving, at the top of the staircase stage right. That man, Jules Fisher, is not part of the cast, yet he is an essential part of the show; he has been lighting up stages in New York City (and beyond) for more than 50 years. Fisher, along with his working partner Peggy Eisenhauer, 55, are among the preeminent lighting designers in the American theatre, while also ...

Lighting Design & Dance

BY MARINA HARSS via www.dancemagazine.com He may not be a household name, but you probably know Brandon Stirling Baker’s work. The 30-year-old has designed the lighting for most of Justin Peck’s ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts’ new Members Don’t Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project. He’s been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting danc...

The 2018 USITT Young Designers, Managers & Technicians Awards

via www.stage-directions.com Eleven young technical theatre artists will receive Young Designers, Managers & Technicians (YDMT) Awards at USITT’s 58th Annual Conference & Stage Expo, March 15, 2018, at the Broward County Convention Center in Fort Lauderdale, FL. The YDMT Awards bring recognition and support to early career designers, managers, and technicians, through generous funding from industry sponsors. YDMT winners receive free Conference registration to the four-day USITT Annual Conference & Stage Expo, March 14-17, plus cash prizes and an impressive addition to their resumes. Listed below are the winners. Zelma H. Weisfeld Costume Design & Technology Award Courtney Foxworthy – Indiana University The Barbara Matera Award in Costume Making, sponsored by Judy Ada...

Jon Kusner: Evolving Light

via https://www.chauvetprofessional.com Every lighting project is a puzzle, for this Park City, Utah based designer, a collection of disparate parts that must be woven together into a balanced, harmonious look through the art of design. Since leaving the Tisch School for the Arts at NYU to work for Broadway legend Ken Billington in the 1990s, Kusner has become a master at solving design riddles, first in the world of theatre, and later in broadcast applications. This ability has earned him the universal admiration of his peers, along with two Prime Time Emmy Awards and 11 nominations. Having worked on major broadcast events like the Academy Award and Grammy Award shows, as well as The Opening Ceremonies of the Salt Lake Olympics, The MTV Video Awards and Victoria’s Secret Fashion Show, Kus...

Hangar Theatre Design Fellowship & Apprentice Program – Apply Today!

 HANGAR THEATRE Approximately 15 years ago a dream was hatched to aid in the development of the next generation of theatre designers, providing an opportunity for intensive hands-on training equivalent to that of the Summer Drama League Directors’ Project.  This program is designed to help bridge the gap between the educational and professional worlds.  Our goal became to create an experience like no other. Giving early career designers the chance to learn, grow, think, collaborate, network, design, stretch, and most importantly – FAIL.  Will every idea be a home run?  Will every method work out?  Of course not, but you’ll never know unless you try. Thus, the Design Fellowship Program was born. Design opportunities are in the following fields: Scenery, Lighting, Sound, & Costumes.  Ple...

MAC Encore Lighting Products – 2018 Winter Demo Tour (RSVP TODAY!)

Experience Martin by HARMAN’s new  MAC Encore™ Line of products. With the success of our fall tour and the addition of our recently introduced MAC Encore Wash products, we’re excited to get back on the road this winter! Our 2018 demo tour hits the U.S. in January and February 2018, and is the best opportunity to experience firsthand, the new whisper-silent benchmark in performance lighting.  Also learn about light quality measurement and LED lighting design while seeing some of the industry’s best products working in real-time. We will also be bringing a lineup of some of our most popular products including: the full complement of Martin VDO Creative Video products including Sceptron, Face 5, and P3 along with products from JBL and Soundcraft. Each event day is open from 10:30a...

Perspective on Video & Projection Design

BY: MICHAEL EDDY via www.stage-directions.com Projection and video designer, Darrel Maloney has taken an interesting, if not circuitous route to where he is at the moment. Which is currently working on designing his seventh Broadway show. Maloney graduated in 1992 from NYU with an MFA in scenic and lighting design back when there wasn’t a whole lot of projection work going on in the theater. After working in—and looking for work in—theater for a while, Maloney quit to teach himself video production. He moved west to California, started a company doing post production and animations for television, film, and commercials. After about a decade of this work, he got a call from an NYU classmate who was beginning work on a new show and that it would be right up his alley and drew him back to the...

How Lighting Affects Actors

BY: CASEY MINK via www.backstage.com For Off-Broadway’s “The Last Match,” Tony-winning lighting designer Bradley King was tasked with lighting a drama evocative of an actual tennis court while maintaining the usual elements of theatricality. Lighting is omnipresent. “A lighting designer is responsible for turning on and off every light that you see in the theater. The ultimate goal of that is to make the audience feel something. The great Jennifer Tipton, who’s basically one of the inventors of modern lighting design, has this quote that’s something like, ‘One percent of the audience is aware of lighting design, but 99 percent is affected by it.’ “ On lighting ‘The Last Match.’ “We use lighting to create a little depth of field and have the background recede and pull someone out in the for...