Lighting Design

Register for the 2019 CUE Professional Development Conference!

REGISTRATION: NOW OPEN! WHAT: 2019 CUE Professional Development Conference WHEN: July 19 – 21, 2019 WHERE: Madison, WI Join ETC and High End Systems for the fifth CUE conference hosted by ETC! This professional development conference was created for end users of all skill levels including designers, programmers, educators, and students.CUE 2019 features interactive classes on a variety of topics led by ETC employees and industry experts, including several surprise guests. On top of the opportunity to experiment with all the latest ETC gear, CUE also gives attendees the opportunity to network with industry peers and the ETC professionals behind the company’s award-winning products. In addition, ETC will host exciting events and tours of its legendary factory, giving att...

Shining a Light on the Bard

via thelightingconnection.com This past season at Chicago Shakespeare Theatre was one filled with light, love and magic. Theatrical Lighting Connection was happy to be able to provide a series of fresh-off-the-line Martin Mac Encore Performance CLDs to add texture, color and a measure of grace to the performances. With the fixtures in a centerstage cluster and an open set, they needed the cool, quiet light that only the Encore CLD can provide. Lighting Designer Thom Weaver had this to say regarding the use of them in late-spring’s production of Macbeth:   “I wanted the new Martin Encore CLD units for two primary reason: silence and precision… The Encores are an extraordinary combination of both. They’re essentially silent, and feature a level of resolution that̵...

Lighting Designer Valerio Tiberi on Lighting West Side Story in Italy

via www.stage-directions.com The Teatro del Maggio Musicale Fiorentino hosted the return of Leonard Bernstein’s West Side Story 100 years after Bernstein’s birth. This musical theater masterpiece is one of the most loved shows still performed today. Lighting designer Valerio Tiberi drew inspiration for his work “from the new adaptation and the atmosphere of the Upper West Side of New York in the mid-1950s,” he says. Here’s a video of a previous version of West Side Story, performed at Teatro Carllo Felice in Genoa: “For this occasion, I requested and used the new Axcor Profile 600 from the Claypaky Axcor series for the first time in Italy,” adds Tiberi. Two versions are available on the market: one with a bright 500W 6,500K white LED source, and the other with...

The Judy Dearing Design Competition -Now Accepting Applications

The Black Theatre Network announces that they are accepting applications for The Judy Dearing Design Competition. The Black Theatre Network (BTN) established this award, which covers theatrical scenic, costume, and lighting design, in 1996 in honor of pioneering costume designer, Judy Dearing. The awards were created to encourage African American students focused on elements of theatrical design. The awards are presented every other year with the other major awards. All entries will be evaluated by a professional design panel. Judy Dearing Student Design Competition The purpose of this competition is to encourage Black Theatre students of design and give them an opportunity to have their work exhibited at the National Conference of the Black Theatre Network. Dearing (1940–1995) was an Afri...

What Do Broadway’s Best Lighting Designers Actually Do?

BY DARRYN KING via www.forbes.com ‘King Kong,’ under the lights of lighting designer Peter MumfordJOAN MARCUS No one applauds the lighting designer. Theater audiences are regularly dazzled by the costumes and sets, stirred by a writer’s words, an actor’s sweat and tears, enthralled by a director’s coup de théâtre. They may be moved by a piece of music or moment of sound design. But it’s the nature of lighting design that few audience members consciously notice it, let alone admire it, or leave the theater with a lasting impression of it. And yet, its role is crucial. “Lighting is in many ways the last creative act of the totally collaborative process that we call theatre,” says Peter Mumford, the lighting designer behind two shows this season, “King Kong” and “The Ferryman.” Si...

Register for the LiNK Grad School Auditions & Interviews! (Hosted by USITT & SETC)

Where Master’s Candidates and Recruiters Connect SETC and USITT partner each fall to bring graduate theatre degree programs together with people considering options for interviews, auditions, and information exchange. Connect with more than 50 programs across theatre disciplines including Acting, Design, Technology, and Management. Explore your options for advanced education and find your dream grad program in one convenient, affordable location. 5th Annual LiNK When: Nov. 9-11, 2018 Where:  Crowne Plaza Hotel Atlanta-Airport  |  Atlanta, GA For Candidates Register early with your resume, portfolio, and head shot for advance review by recruiters. $50 Early Registration: Aug. 1 – Sept. 12, 2018 $75 Late Registration: Sept. 13 – Oct. 24, 2018 $95 Onsite Registration: Onsite...

They Speak Lighting

BY STUART MILLER via www.americantheatre.org The cast of The Iceman Cometh stands in a circle onstage at the Bernard B. Jacobs Theatre, hands clasped, lines from the play ricocheting from one actor to another. It’s a starry group—David Morse, Bill Irwin, Colm Meaney, and, of course, Denzel Washington—yet during this rehearsal they are left in semi-darkness. The only person fully illuminated is an 80-year-old man, standing alone, unmoving, at the top of the staircase stage right. That man, Jules Fisher, is not part of the cast, yet he is an essential part of the show; he has been lighting up stages in New York City (and beyond) for more than 50 years. Fisher, along with his working partner Peggy Eisenhauer, 55, are among the preeminent lighting designers in the American theatre, while also ...

Lighting Design & Dance

BY MARINA HARSS via www.dancemagazine.com He may not be a household name, but you probably know Brandon Stirling Baker’s work. The 30-year-old has designed the lighting for most of Justin Peck’s ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts’ new Members Don’t Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project. He’s been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting danc...

The 2018 USITT Young Designers, Managers & Technicians Awards

via www.stage-directions.com Eleven young technical theatre artists will receive Young Designers, Managers & Technicians (YDMT) Awards at USITT’s 58th Annual Conference & Stage Expo, March 15, 2018, at the Broward County Convention Center in Fort Lauderdale, FL. The YDMT Awards bring recognition and support to early career designers, managers, and technicians, through generous funding from industry sponsors. YDMT winners receive free Conference registration to the four-day USITT Annual Conference & Stage Expo, March 14-17, plus cash prizes and an impressive addition to their resumes. Listed below are the winners. Zelma H. Weisfeld Costume Design & Technology Award Courtney Foxworthy – Indiana University The Barbara Matera Award in Costume Making, sponsored by Judy Ada...

Designing for Live TV & Events Webinar – Register Today!

Attend this webinar to gain insight on lighting design for TV production and explore the challenges faced by the next generation of Lighting Directors. Date & Time: Wednesday, March 28, 2018  at 10:00 am Eastern Daylight Time Panelist: Roger Williams Duration: 1 Hour CLICK HERE TO REGISTER In this webinar Roger will discuss TV lighting application, how he got into the business, and the challenges faced by the next generation of Lighting Directors in TV production. Roger will also explore the specific challenges of lighting for TV and the skills required to balance what’s captured on camera for the viewing audience vs lighting the live event, whilst also working for the viewing TV audience.  His lighting credits include: The Jump – Channel 4 XFactor auditions – ITV1 Question...

Jon Kusner: Evolving Light

via https://www.chauvetprofessional.com Every lighting project is a puzzle, for this Park City, Utah based designer, a collection of disparate parts that must be woven together into a balanced, harmonious look through the art of design. Since leaving the Tisch School for the Arts at NYU to work for Broadway legend Ken Billington in the 1990s, Kusner has become a master at solving design riddles, first in the world of theatre, and later in broadcast applications. This ability has earned him the universal admiration of his peers, along with two Prime Time Emmy Awards and 11 nominations. Having worked on major broadcast events like the Academy Award and Grammy Award shows, as well as The Opening Ceremonies of the Salt Lake Olympics, The MTV Video Awards and Victoria’s Secret Fashion Show, Kus...

Hangar Theatre Design Fellowship & Apprentice Program – Apply Today!

 HANGAR THEATRE Approximately 15 years ago a dream was hatched to aid in the development of the next generation of theatre designers, providing an opportunity for intensive hands-on training equivalent to that of the Summer Drama League Directors’ Project.  This program is designed to help bridge the gap between the educational and professional worlds.  Our goal became to create an experience like no other. Giving early career designers the chance to learn, grow, think, collaborate, network, design, stretch, and most importantly – FAIL.  Will every idea be a home run?  Will every method work out?  Of course not, but you’ll never know unless you try. Thus, the Design Fellowship Program was born. Design opportunities are in the following fields: Scenery, Lighting, Sound, & Costumes.  Ple...

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