Creative

Candidate registration for the 2019 URTAs is now open!

MFA training in theatre begins with URTA! At the URTAs, you can audition and interview with our 43 member universities all in one place, on a single day. Why navigate dozens of different applications, fees, appointments, and travel when you can get it all done at the URTAs? Choose your city—New York, Chicago, or San Francisco—and register to be seen by our recruiters in either acting, design, directing, stage management, or arts leadership. Our nationally ranked member schools boast professional faculty, a commitment to the highest standards in professional, graduate training, and are peer-reviewed on a continuing basis. Most also offer various forms of financial assistance. Graduates of URTA programs are working on Broadway, in top theatres across the country, in film, television, and bey...

Register for the LiNK Grad School Auditions & Interviews! (Hosted by USITT & SETC)

Where Master’s Candidates and Recruiters Connect SETC and USITT partner each fall to bring graduate theatre degree programs together with people considering options for interviews, auditions, and information exchange. Connect with more than 50 programs across theatre disciplines including Acting, Design, Technology, and Management. Explore your options for advanced education and find your dream grad program in one convenient, affordable location. 5th Annual LiNK When: Nov. 9-11, 2018 Where:  Crowne Plaza Hotel Atlanta-Airport  |  Atlanta, GA For Candidates Register early with your resume, portfolio, and head shot for advance review by recruiters. $50 Early Registration: Aug. 1 – Sept. 12, 2018 $75 Late Registration: Sept. 13 – Oct. 24, 2018 $95 Onsite Registration: Onsite...

Register for the 4th Annual Vectorworks Design Summit

4th Annual Vectorworks Design Summit November 4-6, 2018 Phoenix, AZ We’re cranking up the heat at the fourth annual Vectorworks Design Summit. Join us in sunny Arizona at the Sheraton Grand at Wild Horse Pass for an exciting three days of indispensable workshops, inspired design, and improved connections. Located in the breathtaking Sonoran Desert, the Sheraton Grand celebrates the Gila River Indian heritage and culture. Extend your stay and enjoy everything the resort has to offer, including an 18-hole golf course, horseback riding, a world-class spa, and more! Registration You can pay one low price for two full days of in-depth training with Vectorworks software. No matter your industry or level of experience, you can’t afford to miss this valuable opportunity. REGULAR CONFERENCE – $599 ...

Vintage Photos of Life before AutoCAD

via www.vinate.es Before the advent of AutoCAD and other drafting softwares, the engineering drawings were made on sheet of papers using drawing boards. Many equipments were required to complete a given drawing such as drawing board, different grade pencils, Erasers T-squares, Set square etc. Almost 20 years ago, engineers and toolmakers used to draw all things on paper with the help of drafting tools and pencils. Drafting was indeed was tedious and time-consuming. Designing and putting everything on paper was a tough job, maybe that’s why the need of creation of AutoCAD software came up. The major disadvantage of paper based design was that, you can not actually change it after it’s been put on paper. So if design is changed, then start making sketches over! AutoCAD and all that softwares...

What Casting Directors Look for in Auditions

BY NICK CLARK via www.thestage.co.uk As a new award seeks to give casting directors overdue recognition for their key role in shaping productions – not to mention actors’ careers – leading practitioners in the job tell Nick Clark what they believe makes a good casting director, how they started their careers, and what actors can do at auditions to impress them Casting is the “Cinderella” of the entertainment industry. Or so says actor and writer Mark Gatiss. “Too little attention is paid to the vital, and by no means simple, task of finding the right person, the right mix, the right chemistry for stage, television and film,” he has said. And The Sherlock and League of Gentlemen star is by no means the only person to think so. The Casting Directors’ Guild is so concerned that the craft is u...

Inside the Santa Fe Opera Scene Shop

BY JORDAN EDDY via www.themagsantafe.com “They’ll say, ‘Why won’t it just float there?’” Scott Schreck says with a little smirk. “Then I go, ‘I’ll tell you what, let me work on that antigravity device for you.’” He’s talking through the joys and difficulties of translating artistic visions to brick and mortar, his principal mission as technical director of the Santa Fe Opera. Moments later, Schreck reveals that he may, in fact, possess gravity-defying powers. In his last job, a five-and-a-half-year stint as technical director of Arena Stage in Washington, D.C., one production called for a full bandstand to hover above the stage. “It was [Rodgers and Hammerstein’s] Carousel. They wanted a gazebo on top of a platform, with two bridges extending from it so the actors could walk across,” he sa...

Scene Shops: The General Layout

BY GEORGE LEDO via www.setdesignandtech.wordpress.com Now and then I see a post in the Educational Theatre Association (EdTA) open forum regarding ideas for a new scene shop, or tools, or something related, so I decided to do a few pieces here. This first one is about scene shops in general, the second will be about work areas and storage of tools and equipment, and subsequent ones will be about related subjects. First off, a scene shop is nothing more than a dedicated place to build custom items which may be made of wood, plastic, metal, or other materials. The process, the tools, the ideal layout, and everything else are pretty much the same as in any other custom shop that specializes in these materials, the main difference being that the scene shop is used to build scenery instead of c...

Miriam Shor: From Acting On-Stage…To Directing On-Screen

BY RUTHIE FIERBERG via www.playbill.com The actor and director reveals the step-by-step process of directing the July 10 episode of the hit series starring Sutton Foster. Miriam Shor has a habit of stealing scenes. She’s not trying to, but her magnetism, her nuance, her timing in the small moments, and her delivery in the big ones make it so you can’t look away, whether that’s as Yitzhak in the original Hedwig and the Angry Inch, Madelaine True in The Wild Party, Jessie in Off-Broadway’s Sweat, guest-starring on television’s The Americans, or her gig as series regular Diana Trout on TVLand’s Younger. But now, she directs her first episode of television: Episode 5 of Younger’s current season. Miriam Shor Courtesy of TVLand “I always was one of those annoying people hanging out at video vill...

Q&A with RSC head of voice Kate Godfrey

BY TIM BANO via www.thestage.co.uk With a remit covering vocal techniques, teaching dialects and interpreting text, Kate Godfrey coaches the Royal Shakespeare Company’s actors to make the most challenging lines comprehensible on stage. She tells Tim Bano why striving for clarity rather than sounding posh is the key to making yourself understood A few years into his career as a lawyer, the ancient Roman orator Cicero, the man who practically invented many of the techniques of modern rhetoric, decided he needed a voice coach. There’s an extraordinary continuity that two millennia later, ahead of the West End opening of Imperium, the Royal Shakespeare Company’s adaptation of Robert Harris’ Cicero trilogy, Kate Godfrey is working with the cast on some of the same techniques Apollonius Molon us...

How to Become a TV Director

BY BENJAMIN LINDSAY via www.backstage.com Making it onto the small screen as an actor is one thing, but doing it as a director is another thing entirely. With this Backstage Guide, we give you the tips and tricks you need to build the experience, reel, and relationships that will one day lead to you sitting in the director’s chair while helming television’s next big thing.  What is the responsibility of the director? At the end of the day, a director’s responsibility is to organize, facilitate, and capture the desired footage that will ultimately make up a film or television program. While their day-to-day responsibilities may differ based on the medium in which they’re working, they are always one of the top above-the-liners and authority figures on set, and more often than not, they have...

2018 Tony Award Winners

BY ADAM HETRICK via www.playbill.com The intimate chamber musical The Band’s Visit, which transferred to Broadway last fall following a sold-out world-premiere run at the Atlantic Theater Company Off-Broadway, was the biggest winner at the 72nd Annual Tony Awards, which were presented June 10 at Radio City Music Hall. Tony Shalhoub and Katrina Lenk Matthew Murphy Tony voters responded to composer David Yazbek and playwright Itamar Moses’ adaptation of the 2007 film by Eran Kolirin about an Egyptian police band stranded in a remote village in the Israeli desert, awarding it ten Tony Awards in total, including Best Musical. The Band’s Visit earned Tony Awards for Best Original Score, Best Book, Best Direction (David Cromer), Best Orchestrations (Jamshied Sharifi), Best Sound Design (Kai Hara...

What it takes to put on the Tony Awards

BY CAITLIN HUSTON via www.broadway.news After more than 15 years producing the Tony Awards, Ricky Kirshner and Glenn Weiss have learned the tips and tricks of putting on the show at Radio City Music Hall. One trick: adding a false proscenium to reduce the size of the 100-foot-wide stage, so that the musical numbers do not look dwarfed by their surroundings. With that issue behind them, Kirshner and Weiss are concentrated on overseeing more than 700 people inside the house, from stagehands to production staff and cast members, in addition to nailing down the running order and making sure hosts Sara Bareilles and Josh Groban have moments to shine. Weiss, who is also directing the Tony Awards show, and Kirshner have been preparing for the awards show all season, as they both try to see every ...

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