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Broadway’s Amelie


Designers perpetually astound me. This week, I spoke to two of them: David Zinn, who dreamed up the magical set and costumes for Broadway’s Amelie, and Sandra Goldmark, whose set for Vanity Fair is a thrilling collision of metaphors. I love “reading” the design of a production, because understanding how sets, costumes, light, and sound impact a story can often be a key to unlocking everything.

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